前(qián )身(🕕)是皇軍軍(jun1 )港的(⛲)吳(wú )港,戰(📼)後成為(wéi )船塢工人的(🕋)生活煉獄。在(🕰)資本(běn )(🤴)家剝削和枯燥生活的(🛤)雙重(chóng )煎熬(áo )(🏴)下,躁動的年輕(qīng )生命,一頭栽進(🌗)暴力漩渦,延(🖲)擱成長(🕔),終日在(zài )打鬥、賭博、(👁)酗(🙍)酒中尋找(🥄)暫(zàn )時的麻醉。吉田(tián )喜(xǐ )重通過工頭之眼,對不合理的(🥀)社會(🤯)現實作(zuò )(🤷)出(chū )欲迎還(🚢)拒的(de )批判,被(bèi )視為日(rì )(🚨)本新浪潮(🖲)代表作之一。香山美子飾演純真的酒(✋)館(🐑)女待,同(tóng )情工人卻慘(cǎn )被強(💪)姦,正與負的能量,在(zài )大(dà )時代中比(bǐ )拼互滲,可有超越對(duì )與(yǔ )錯,是與非的位置(zhì )?片末火車(💝)站(💹)送別(🏉)一場,在家和社會之間(🈸),吉田喜(xǐ )重作出(👪)了(🥋)左翼(🃏)的選(xuǎn )擇(🌼)。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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